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The Tar Tapes, Vol. 1

by Mike Keneally

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1.
Bring me wings on which to ride/Bring me wings on which to glide We can fly and we are free/I love her and she loves me Eh Eh Eh Eh Bring me wings on which to ride (repeat)/All of life is in my eye (aaaahhh)/Bring me wings with which to fly ((bring me wings with which to flyl/Alloflife is ni my eve (al oflife isni my eve) Eh Eh Eh Eh Axe amanda Ask a mantorooney Mickey moonie boonieBoogieboogie Hugo Mooneyeh Sax amanda Salamanarooney Andy moonieboonie Bobbyboogie Hugo Mooneyeh Pan amanda PanaramaNooney Grandma looneytooney Bonnie bonnie Hugo Mooney he Pam amanda Panamasiaticfluney Downafluea Santa Clooney Rosamary Hugo Mooney eh Pacamanda Videoticgoonie Cyndi Indy groove amovie Boogie boogie HugoMooney he Bringmewings on which toride/Bring me wingsonwhichot glide We can flyand we are fre/ olve her andshe lovesme/Bring mewings withwhich to fly (bring me wings with whichot fly)/All oflife si ni my eye (aaaahhhhh) /Bring me wings with whichot fly (bringme wingswith which to fly)/All o flife i sni my eye (al folifeis ni my eye) Eh eh Eh
2.
I saw a horserace After you made us promise not to see anymore We snuck out in the darkness Wearing our overcoats To wait in line for the horserace (oh mama the horsie gotta run oh mama the horsie gotta run oh mama the horsie gotta run pretty mama the horsie gotta run) We were so excited Anticipation in the great crowd Surging and stuff as one The race then began We honestly saw a horserace (oh mama the horsie hadda run oh mama the horsie hadda run oh mama the horsie hadda run pretty mama the horsie hadda run) On reflection The whole thing was actually most disappointing The thrill was in disobeying Not waiting in line Or seeing a simple horserace
3.
She dogged his every single move She was insane When he hopped a jet to France She did the same Her walls were filled with pictures And her head with numbers She usually didn’t make a sound Except when she got really crazy Sometimes she'd scream Even if he'd known about her He couldn’t shake her This one guy saw her in Flagstaff (tm) tried to take her Didn’t count on what he found Came out the loser Through it all she never lost sight Followed on to Maine or someplace He kept moving She was a most faithful companion and her actions were pure though nobody's sure why she did it Of course it was his past that kept him so active but (though) she didn’t know it at the time This one guy who saw it all says He made a mistake Caught up with his past in LA Got a ride to a lake They heard this scream when they dumped him She came out running They took off, she plunged right in The thing is, he's OK, he walked away He's still moving She was a most faithful companion and her actions were pure though nobody's sure why she did ti Sitting around the bar, talking this thing out, this one guy says it was true love. But Eric says she was insane. I believe Eric.
4.
5.
A powerful sound - your face goes numb A spike through the sound - your head struck dumb A tone full of full - your mind speaks time A laugh and a life - you find your rhyme All for the sake of sound Down to the lake of sound All for the sake of sound A bus to a bus to a bus to a bore Your head goes dead - a man says “more” An hour plus an hour equals overtime Bell end hell - you find your rhyme All for the sake of sound Drown in the lake of sound All for the sake of sound Did you tear it all up? Someone said you tore it all up. The brain holds the brain - the spike brains the pine We laugh down the lane - we found our rhyme All for the sake of sound Drown in the lake of sound All for the sake of sound All for the sake of sound Drown in the lake of sound All for the sake of sound Down to the lake of sound
6.
7.
Whilst in the late-night reverie I was visited by the ghost of a boy Without my glasses I could not see were his eyes of hate or bringing joy Quick as a wink he took me up to speed through time to my future life Assuring me that all was well, still had my home, my band, my wife Destiny boy came to visit me Kindly face and hair of green Destiny boy came to visit me Kindly face and hair of green When you think you have no friends and all your joy is long since seen You may be ready for a late-night jaunt with the gentle boy with the hair of green Destiny boy came to visit me Kindly face and hair of green Destiny boy came to visit me Kindly face and hair of green Destiny boy came to visit me Kindly face and hair of green Hey, don’t be frightened What can be worse than not knowing Where’s your sense of excitement Aren’t you curious where you’re going Without a word he placed me back on my vinyl couch with a pad and pen Leaving me to muse and sigh would he ever come to visit again But if he doesn’t I won’t mind already I’ve known more than most All hail to you destiny boy I raise my voice in gleeful toast Destiny boy came to visit me Kindly face and hair of green Destiny boy came to visit me Kindly face and hair of green Destiny boy came to visit me Kindly face and hair of green
8.
See "hat." for the lyrics
9.
“There’s a need for this,” said Jelly as he went inside The cave closed in around him, his brother, and their dog Clyde “I’ve not set foot in here since 1965” His structure still intact, his shutter poised to shut Then brother started yelling even louder than the mutt So Jelly turned around and got an arrow in the gut, zzzt doingg (Don’t go) Don’t go in caves (Don’t go) Don’t go in caves all right (Don’t go) Don’t give me any fight, just don’t go in caves at night Brother and Clyde turned their hide, hightailed it in a wink They’re all alone when they get home and they throw up in the sink “Jelly’s gone forever, Clyde, it’s time we stop and think.” Brother rounds up all his friends and Clyde rounds up all his Through the field with flames held high to see what the problem is In the morning they’ll all be found with arrows in their lids, zzt doingg (Don’t go) Don’t go in caves (Don’t go) Don’t go in caves all right (Don’t go) Don’t give me any fight, just don’t go in caves at night (Don’t go) Don’t go in caves (Don’t go) Don’t go in caves all right (Don’t go) Don’t give me any fight, just don’t go in caves at night None of it was true at all, it’s a story they told me when I was young I found myself outside a cove so I thought I’d go in and have some fun It was dark so I could hardly see and then something grabbed me by the pants What is this thing looking at me and why does it want me to dance? (Don’t go) Don’t go in caves (Don’t go) Don’t go in caves all right (Don’t go) Don’t give me any fight, just don’t go in caves at night (Don’t go) Don’t go in caves (Don’t go) Don’t go in caves all right (Don’t go) Don’t give me any fight, just don’t go in caves at night
10.
11.
see "hat." for lyrics
12.
Don’t give me that You know the feeling What can’t help but grow You think you know something But some things you don’t know As a basis in fact I’ve learned to react In a most severe way, Whereas on the first day Initial impressions were colder, as ice. I find myself wishing that things could be nice. The more I see her the more I like her The more I see her more I like She psyches me out I’d like to psyche her I would like to be her bike Killer fish Killer fish Killer fish Killer fish Oh those killer fish Killer fish Dig those killer fish Killer fish This has nothing to do with the rest of the song but I love those killer fish Who tossed the straw Who makes us love Whose iron fist guides you Clad in glove As a basis in fact I’ve learned to react In a most severe way, Whereas on the first day Initial impressions were colder, as ice. I find myself wishing that things could be nice. The more I see the more I like her The more I see her more I like If she’s the trail I’ll be a hiker She’s my hmm and I’m her Mike The more I see her the more I like her The more I see her more I like She psyches me out I’d like to psyche her I would like to be her bike
13.
Alarm (1983) 03:26
Sorry about the phone call I thought that you’d be home I heard the quiet talking I thought you’d be alone Who’s speaking from experience Right now I’m half delirious We were acting as cool as can be We were sounding the silent alarm We were being the secret police We were keeping each other from harm I reject this receiver I accept this rigid night You walk back to your bedroom I bet you kill the light I do not need a drink Soon crashing in the sink We were acting as cool as can be We were keeping each other from harm We were being the secret police We were sounding the silent alarm There’s larger forces working It’s funny how big they are And all I do is point in all directions Expect an early waking Your timid little voice My benign forgiveness I haven’t got a choice And time goes by so slow And that’s a month go We were acting as cool as can be We were keeping each other from harm We were being the secret police We were sounding the silent alarm We were acting as cool as can be We were keeping each other from harm We were being the secret police We were sounding the silent alarm
14.
Tug (1986) 04:14
Down the road when I was young Lived my best friend Tug We spit on dirt And hit the road And played beneath the tractor Remember the day he learned to vanish Away from human sight My best friend Tug was invisible What a holy terror Hooray, hooray fro the good old days Hiding to look at the girls like a bug with my friend Tug. I heard he was dead in the war But I just got a call from Tug Faded just as the bullet hit Sustaining minimal damage Traveled down to Jamaica town Started a reggae band Tug come on back to our Southern town Your reggae band I’ll manage Hooray, hooray for the good old days. Let’s bring them back you crazy lug. My crazy bonehead Tug.
15.
16.
There was a guy called Brian He could assume various shapes This made him the envy Of all the kids in high school who couldn’t get dates For Brian’s popularity soared As he turned into a tree or a surfboard There was a girl At the school, unimpressed, And her name was Ann Her friends said, “Look at Brian As he easily achieves what none of these other kids can.” But Ann had no use for a guy Whose claim to fame was suddenly being pie. Brian courted Ann with fierce determination (Be yourself, Brian, be yourself.) Despite an insurmountable lack of communication (Be yourself, Brian, be yourself.) Twenty years later They’re happily married (though not to each other) When I heard this tale I thought I’d better write it down In case nobody else bothered I hope someday to meet Brian or Ann Yours sincerely, Tug (an invisible man) Brian courted Ann with fierce determination (Be yourself, Brian, be yourself.) Despite an insurmountable lack of communication (Be yourself, Brian, be yourself.)
17.
The dogs was sittin’ Sighin’ out loud One dog says, “let’s get out of this crowd” They ran to the country Pantin’ all the way The sun went down So they said, “Let’s stay” Shiverin’ and shakin’ Frozen to the feet So they built themselves a fire Got ‘em all in heat Pat each other on the back And they wander off to bed Then the spaceship came Flashin’ green an’ blue an’ red All the dogs wake up an’ they hide behind a tree Say “we gotta tell somebody but they won’t believe we” Say “we gotta take a picture, that is what we gotta take” But the camera’s broke, so they chuck it in the lake Then they got themselves a real spaceman Lookin’ like a buncha needles sticking’ out a tin can The dogs went crazy runnin’ fast as they could go The spaceman FLASHES at ‘em and they all just froze When the dogs came to they was ridin’ in the sky At a million miles an hour That’s the only way to fly One dog’s cryin’ ‘cause he’s hungry and he’s scared So the other dogs hug him And they tell him “there, there” But they all get nervous when the door open wide An ugly spaceman kinda twirl inside He says “we gonna take your brains ‘cause we need ‘em for our food” Then they hear a big explosion The dogs go “oooooo” Yeah, the dogs look out the window There’s another spaceship shootin’ laser beams at ‘em And they just got hit The dogs start screamin’ that it ain’t no fun to fly ‘Cause the place is on fire and they know they’re gonna die But then they all turn purple They really start to soar ‘Cause the other spaceship is a-beamin’ them aboard The dogs look around and they can’t believe it’s true ‘Cause there’s Audie Murphy and John Wayne too The dogs all say “hey, we thought you was dead” John and Audie just smiled and this is what they said: “Listen up, little doggies. Heroes don’t die. They just go up in the spaceship and they fly, fly, fly. You must be pretty hungry.” All the dogs say “yes.” Audie gives them each a steak, say “don’t you worry ‘bout the mess.” John say “we’ll drop you off on this planet right here ‘cause we think you’re gonna like it an’ you got no need to fear.” Well, all the dogs say “thank you Thank you kindly for the ride.” And they muster up the courage and they step outside They was on the planet Andern And it looked OK (Well, they had to learn to like it ‘Cause it’s where they had to stay.) One dog says, “Well, I know I seen worse, but why couldn’t John and Audie just bring us back to Earth?” Then his eyes opened wide, kinda horrified and shocked ‘Cause the dog that he was talkin’ to just turned into a rock. Well, the dog looked for his buddies but one was now a shoe And one’s a chair, and one’s a snare, and one’s a tub of glue He started feelin’ stiff an’ when he looked at himself He was a ceramic elf Every one of them dogs, they was thinkin’: “Wow, this is the worst that can happen, nothin' worse can happen now.” Then the planet started movin’, it was herkin’ and jerkin’ ‘Cause that was when gravity stopped workin’. The dogs yell “help” and they can’t believe their eyes ‘Cause they’re speedin’ past planets a thousand times their size All the stars and planets lookin’ awful unstable Like a buncha bumper balls on a bumper pool table The only thing that’s makin’ ‘em happier than frogs: All the speed and the excitement turned ‘em back into dogs No time congratulations, got no time to say “when” A big ol’ flamin’ steamin’ meteor is headin’ straight for them All the dogs was struck dumb when they saw it comin’ toward But all at once they started screamin’ “Help us Lord!” God was pretty busy, he was writin’ a song But when Jupiter flew past him he knew something was wrong He picked up his little finger, cleared his throat and said “Stop” It all got real quiet, you could hear a pin drop But the dogs flew off the planet soon as God stopped the race They was spinnin’, they was stranded, they was lost in space Well, the dogs all hopin’ they don’t float into the sun But then they see the monolith from “2001” They’re climbin’ all aboard and they can’t believe their luck ‘Cause it got a steerin’ wheel, you can drive it like a truck One dog got the compass and one got the beer And they’re happy ‘cause they know that home is near But a couple minutes later they was all outta mirth ‘Cause the wind changed direction and they flew past Earth Well, the dogs kept flyin’ (it started gettin’ weird) They was right in the middle of a strange atmosphere But when they got through all the lights and the fog They landed on a planet that worshipped the dog They was all made kings on this brave new land And they ruled with a fair and gentle hand They was happy forever, and they all stayed friends Now ain’t that a nice way for a song to end? That’s what happened to the dogs That’s what happened to the dogs That’s what happened to the dogs

about

THE TAR TAPES VOL. 1

This was originally issued as a limited edition collection of 17 live, studio and demo recordings from Mike's self-described "non-illustrious past," drawn from a collection of five cassettes he marketed via mail order in the '80s and very early '90s. It's been out of print for a long time, and now it's available exclusively via download. Also included is an eight-page digital reproduction of the original CD cover, liner notes and lyrics.

Below are the song titles, each followed by a brief description, the Tar Tape title from which it was excerpted and the year of its recording.

• BRING ME WINGS (a four-track home demo with MK on all instruments, from the cassette "Fashion Poisoning, recorded in 1986.)

• HORSERACE (a 16-track recording from Double Time studio featuring Drop Control [MK, Marty Keneally, Doug Booth and Alan Silverstein]), from "Your Way Bitchin' Bonus Tape", 1990.)

• COMPANION (4-track home demo with MK on all instruments, Mike and Marty on drum programming, from "The Wow Sound Of Affable Mort", 1983.)

• WAITING ON WILLIAMS (live soundboard recording by Drop Control of a song subsequently remade for the "Mistakes" album, recorded at the Bacchanal in San Diego, from "Drop Control: Live/Studio 1986-1990", 1989.)

• ALL FOR THE SAKE OF SOUND (4-track home demo with MK on everything, from "Life's A Butter Dream", 1983.)

• MOLEHEAD REVISITED (MacIntosh soundfile with MK on keyboard and Scott Chatfield on orchestration, recorded at Chatfield Manor Number One, from "Your Way Bitchin' Bonus Tape", 1991.)

• DESTINY BOY (live soundboard by Drop Control at the Bacchanal, from "Drop Control: Live/Studio 1986-1990", 1989.)

• OPEN UP! (4-track home demo with MK on everything of song subsequently remade for "hat.", from "Fashion Poisoning", 1986.)

• DON'T GO IN CAVES (4-track home demo with MK on everything, from "Elephants Walking Under God", 1984.)

• AIRPORT (24-track recording at The Studio with MK on piano, from "Your Way Bitchin' Bonus Tape", 1989.)

• PERFORMING MIRACLES (16-track recording by Drop Control at Double Time of a song subsequently remade for "hat.", from "Your Way Bitchin' Bonus Tape", 1990.)

• KILLER FISH (4-track home demo with MK on everything, from "Life's A Butter Dream", 1983.)

• ALARM (4-track home demo with MK on everything, from "Life's A Butter Dream", 1983.)

• TUG (4-track home demo with MK on everything, from "Fashion Poisoning", 1986.)

• PENCIL MUSIC FROM "THE NEW SECRET CITY ADVENTURES" (16-track recording with MK on everything, recorded at Double Time, from "Your Way Bitchin' Bonus Tape", 1989.)

• BE YOURSELF BRIAN (live soundboard by Drop Control at the Bacchanal, from "Drop Control: Live/Studio 1986-1990", 1989.)

• WHAT HAPPENED TO THE Dogs (4-track home demo with MK on all instruments, Mike and Marty on drum programming, from "The Wow Sound Of Affable Mort", 1983.)

FROM MIKE:

THE TAR TAPES were five 90-min. cassettes which I made available via mail-order starting in the late 80’s. They’ve been unavailable since 1993, when Guitar Recordings (who was licensing the “hat.” album at the time) asked me to take them off the market. They were: “The Wow Sound of Affable Mort” (home 4-track demos from 1983-1983); “Life’s a Butter Dream” (home demos, 1983) and “Elephants Walking Under God” (home demos, 1984) - the last two comprising both sides of one cassette; “Fashion Poisoning” (yet more demos 1985-86); “Drop Control” (originally a 40-min. tape consisting of 1986 studio recordings, later swelling to a 90-min. job entitled “Drop Control - Live/Studio 1986-1990” or something like that); and “Your Way Bitchin’ Bonus Tape” a hodge-podge circa 1988-1991.

I’ve never been able to work up much enthusiasm regarding the whole-cloth reissuing of all that material in its original form. For one thing, there’s a few songs in there which I really don’t care for anymore. The idea of doing a compilation which hops around from era to era is more appealing to me. If there is sufficient demand, we’ll keep issuing compilations until all the songs are released (even, if you insist, all the songs I don’t like - maybe I’ll put them all on one CD so I can ritually burn my copy), at which point I’ll provide the original song orders for those who require such data. (Actually, if you squint, you can see the running orders on my website - you’ll find them in the “Tar Tapes” section of the discography.)

The sources for these recordings were an awfully disparate batch, and the varying sound quality reflects that fact. The master format for the original Tar Tapes was standard cassette - I duped the tapes myself using two cassette machines. In 1992 Jeff Forrest and I transferred all the music to DAT at Double Time re-EQ-ing and noise-reducing (none too effectively) in the process. On Sept. 12, 1997 from approx. 11:00 AM to 1:30 PM, at the end of a week of “Sluggo!” Mixing at Double Time, Jeff and I re-EQ’d and gain-boosted (noise be damned) the songs on this CD one more time. Scott Chatfield and I then broke out the Pro Tools at Chatfield Manor and compiled the final master, removing some nasty noises here and there, and craftily reinstating some notes which had been lost to the clumsy 1992 noise-reduction attempts. We cranked out the encoded master at Scott’s house as well.

Thank you very much for buying this.

MK

credits

released September 30, 1997

All songs written by Mike Keneally © Spen Music BMI

Masters © 1997, 2007 Exowax Recordings, LLC.
All rights reserved.
Please do not copy this recording.

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Mike Keneally San Diego, California

Mike Keneally has been a lot of things in his 35 year career: stunt guitarist/keyboardist, singer/songwriter, orchestral composer, producer, music director, painter, and more. After getting his start in Frank Zappa’s legendary 1988 big band, Keneally released his first solo album hat. in 1992. Since then he has released dozens more and is working on a new double album.

Learn more at keneally.com
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