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1.
Put the bass in the middle of my head, please. Small dog, small dog. (cough)
2.
(Lyrics inspired by a letter from Henry, a letter both hysterical and tragic, a letter which would have been nice to reproduce in the artwork here but we have been advised otherwise. Strenuously. "The Aye-Aye is a very ugly lemur that is bad luck. Bad luck. The Malagasy kill it on sight" - ANON) Aye-Aye Monster Nourished by primeval slime Plotting out sins, Maimboo grins and wreaks havoc through recorded time Marina sings in the village of kings His music bring magic to many While in the wings, Maimboo thinks "things that he sings will bring many a penny" In another strange land we find Jethro, a man who has money and evil ambition The Aye-Aye seduces and quickly deduces the path to Marina's perdition Aye-Aye Monster With moneyman deep in its pocket Steals Marina's magic and conceals it where none may unlock it Marina cries to the merciless skies as the evil ones carry their mission The moneyman yawns, and crushes the pawn who does deeds not of his own volition Marina begs them, they capture his legs That he cannot return to his home He threatens to shout, they capture his mouth That their evil shall never be known Aye-Aye Monster Bring pain without warning or cause Lays with the moneyman Marina impaled on its claws (A brief dissertation regarding American litigiousness:) I would be more than glad to tell the story the way it really is But jackals would soon emerge and feast on my poor pathetic head It's so very nice to know in Modern America that you must never unveil the truth about the injustices under the bed where industry's borne and bred Without risking wrath from a gaggle of blood-starved men Who's strip you of all that you are 'fore you count to ten And so I must sing you this tale as a metaphoric stew Because if you knew all the facts they might come for you Aye-Aye Monster Nourished by primeval slime Pray for the day it no longer wreaks havoc through time NY TODY TSY MISY NY ATAO NO MIVERINA NY TODY TSY MISY NY ATAO NO MIVERINA
3.
Haiku Andy 00:30
Scottie dogs are great They run and play and chew things They know what is good
4.
5.
Nests 01:57
6.
Tie me to the mainmast I’ll hang until the dawn I couldn’t feel more strongly It’s time for moving on Proper ways of doing things Improper ways of not I can feel my heart break As I watch potential rot Pardon the short notice But one heeds the heart at cost I couldn’t face the morning If I let these thoughts be lost So tie me to the mainmast now I’ll hang until the dawn We sail without direction The rudder long since gone A very special episode Tonight we wave goodbye I heard there’ll be a spin-off So dry that reddened eye Tie me to the mini-van It’s time to hit the road I feel my spirit changing now A goodbye kiss for toad
7.
Haiku Henry 00:43
A wet fox Coughs at midnight Surrounded by fireflies
8.
9.
Ennui Ennui It’s not a maitre’ d It nails me to the bed and makes me wish that I was free Ennui Ennui A steel jaw trappin’ me Don Van Vliet could come to call, I couldn’t twitch a knee Take my head to the market (make it eat a Scooter Pie) Take my head to the market (make it eat a Scooter Pie) Take my penis to the bus stop (throw it under the wheel under the wheel under the wheel) Take my head to the market (make it eat a Scooter Pie) Ennui Ennui Relentless rabid bee Call me pathetic prat, I’ve not the strength to disagree Ennui Ennui Breakfast time is 3:00 A piece of cheese, some Fritos and a can of beer or three Take my head to the market (make it eat a Scooter Pie) Take my head to the market (make it eat a Scooter Pie) Take my penis to the bus stop (throw it under the wheel under the wheel under the wheel) Take my head to the market (make it eat a Scooter Pie)
10.
Warm Papaya 03:58
11.
Shoko 00:44
You seem to take no joy in the game Why do you play? Why do you play
12.
13.
Hai Kuneally 00:40
Pops loves them white boots One time in Mississippi You don't wanna know
14.
I can't catch a fucking break tonight I can't do a damn thing right Were I to try to slice my wrist Chances are I'd slip and miss Here's my wee poetic sonnet: Fuck the world and all upon it Tell me know my debt is paid Let me feel the swinging blade Sir Director, please say cut And halt act one of your film noir Have the stagehands strike the set Act two, scene one: Abbatoir I demanded justice for a long time How fucking insane is that? Justice is for the rich, the lucky, the well-placed. Justice is for the guilty, the vicious, the violent. Justice is for the pervert, the corporate, the ruthless. Justice is for the white, the male, the celebrated. Justice is for the asshole, the mafia, the damned. Hot cakes
15.
16.
You seem to take no joy in the game Why do you play? Why do you play? Are you a fool? Do you put a gun to your head? Bringing you pain. Nothing but pain. Why do you play the game? The game. Why be insane? Why? Manipulation, this is the game. Leaving your tracks on anybody's good name Calculate your darkest maneuver Game the game the game the game. Assemble, conquer, leaving your stain. Calculate your latest maneuver Search and destroy anybody's good name Game the game the game. All that can be said Is that if you must ask You couldn't possibly know Yes I am a fool And it will be my death You couldn't possibly know How I love it, I love it. Manipulation, this is the game. Leaving your tracks on anybody's good name Calculate your darkest maneuver Game the game the game the game. Assemble, conquer, leaving your stain. Calculate your darkest maneuver Search and destroy anybody's good name Game the game the game. Manipulation, this is the game. Can't you see that you are the loser? Will we learn that we are the same? Game the game the game. Manipulation, this is the game. Leaving your tracks on anybody's good name Calculate your darkest maneuver Game the game the game the game. Assemble, conquer, leaving your stain. Can't you see that you are the loser? Will we learn that we are the same? Game the game the game. You seem to take no joy in the game Why do you play? Why do you play? Are you a fool? Do you put a gun to your head? (You couldn't possibly know How I love it. You couldn't possibly know How I love it, I love it.)
17.
Implore me, Sirenita! Bestow upon me the jewel of your smile! Wave your silken hand above my head, and make it be years ago, 3000 miles! Explore me, Sirenita! Expound upon the myst’ry of your hips! Prance unbidden to the pantry, love, and fetch the low-fat chips! Teach me a lesson, Sirenita! Bind my wrists with endangered pelts! Call my friends and tell them about last night! Raise welts! Discard me, Sirenita! Unload my husk in the gutter with haste! Make it be years ago, 3000 miles, when teacher beat holy fuck out of me for sniffing paste!
18.
Baby Blues 07:04
Bop-uh ba baaah Uhrup bo vo bow bo Ohhpa boww Bop-uh ba baaah Uhrup bo vo bow bo Ohhpa boww et cetera
19.
Prince Poem 00:41
Grunts to the left of us Grunts to the right of us 120 feet of people shifting and making mistakes together Beneath we can hear and feel The primal beat of its massive engines We're sailing on an upcurrent Making mistakes on the way
20.

about

THE MISTAKES (original press release from 1995)

What do you get when you take Italy’s finest zydeco musicians and turn them loose on a program of Cyndi Lauper favorites? We have no idea, really, but we imagine it would sound nothing like THE MISTAKES, the semi-long-awaited collaboration between four of modern music’s more intriguing practitioners:

HENRY KAISER – experimental guitarist extraordinaire, he of the countless solo releases and stimulating collaborations with such innovators as Richard Thompson, Fred Frith, Derek Bailey, Herbie Hancock, Michael Stipe etc. etc. etc….most recently celebrated for his tremendously successful musical journeys to Madagascar and Norway with fellow traveler David Lindley, and for the sparkling albums which resulted (“A World Out Of Time” vols. 1 & 2 and “The Sweet Sunny North”). Kaiser’s work on THE MISTAKES continues to stretch the boundaries of what “electric guitar” means.

MIKE KENEALLY – guitarist/keyboardist/vocalist and producer of THE MISTAKES, renowned for his work with Frank Zappa on such albums as “The Best Band You Never Heard In Your Life”, “Make A Jazz Noise Here” and “Broadway The Hard Way” (he sang lead on the infamous “Elvis Has Just Left The Building”), star of the Grammy-winning “Zappa’s Universe”, member of the Dweezil/Ahmet Zappa band Z, and responsible for the acclaimed solo releases “hat.” and “Boil That Dust Speck”. On THE MISTAKES Keneally brings off a peculiarly seductive marriage of experimental and pop sensibilities, without compromising either approach.

PRAIRIE PRINCE – immensely well-respected drummer, a charter and present member of The Tubes (encompassing all their releases including the infamous “White Punks On Dope”), several Todd Rundgren tours and albums, and a great deal of session work including the late Tommy Bolin and XTC’s much-lauded “Skylarking” album (featuring the controversial “Dear God”). Prince is also an in- demand creator of stunning graphic art (his work graces the cover and interior of the MISTAKES CD booklet). Even long-time Prairie Prince fans are likely to be stunned by his virtuosic playing on THE MISTAKES.

ANDY WEST – original bassist for The Dixie Dregs (later known as The Dregs) who left many a concert-goer’s jaw slackened during their early tours. West played on all the classic Dregs albums, four of which were nominated for Grammies (including the legendary “Night Of The Living Dregs”). West has recorded and performed with Kaiser on many occasions and was a member of Kaiser’s Crazy Backwards Alphabet band; he’s also recorded with heralded guitarist Vinnie Moore. West aficionados who haven’t heard enough of his singular bass playing as of late will get a hugely satisfying fix from THE MISTAKES.

The breadth of THE MISTAKES is suggested right from the top, with a majestic improvisation (“Put The Bass In The Middle Of My Head”) cutting directly to a shiny, tightly arranged pop gem (“Aye- Aye Monster”). Gathering crazily divergent elements into a seamless and coherent whole, the album is a dream come true for all fans of adventurous rock. With this initial collaboration having proved such a success, Kaiser, Keneally, Prince and West now relish the opportunity to present their efforts to live audiences world-wide.

credits

released December 19, 1995

Produced by Mike Keneally (with much gratitude to the ever-vigilant Mr. Kaiser)
Engineered by Jeff Forrest
Mixed by Jeff and Mike
Studio: DoubleTime, San Diego
Editing Software Ferociously Manipulated By: Joe Statt for Anza Digital, San Diego
Mastering: John Golden for John Golden Mastering, Newbury Park, CA
Additional mastering: Paul Stubblebine

Cover art and all drawings: Prairie Prince
Band Photography: Victor Molina

Photos of highly magnified guitar strings by Pedro G. Valdovina (thanks to Rich Lewis for facilitation)

Design & Layout: Mark Yturralde for Twist-off Designs
Art Direction: MK
Many thanks to all the above-named...it's a healthy, bouncing album thanks to them.

Written by The Mistakes and published worldwide by Spen Music BMI
"The Mistakes vs. Dropped D" head by Bob Adams
"Baby Blues" melody by Milo Keneally

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Mike Keneally San Diego, California

Mike Keneally has been a lot of things in his 35 year career: stunt guitarist/keyboardist, singer/songwriter, orchestral composer, producer, music director, painter, and more. After getting his start in Frank Zappa’s legendary 1988 big band, Keneally released his first solo album hat. in 1992. Since then he has released dozens more and is working on a new double album.

Learn more at keneally.com
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